It's Writer Wednesday here at Astraea Press and we are pleased to have Therese Gilardi guest posting about becoming published and the magic powers she employs for those endeavors. Take it over Therese...
A Somewhat Magical Formula
Whenever people find out I’m a published writer they inevitably want to know how I managed to land my poems, prose and essays between the covers of numerous magazines, journals and book covers. Even those who disdain reading are curious. To some, becoming a published writer is a twenty-first century parlor trick, requiring some sort of sleight of hand or at least a lot of luck. Writers and non-writers alike insist there must be a secret handshake, or perhaps a how-to manual not available to the general public. I understand this mentality, for that’s how I thought when I first set pen to paper.
Back in the day (that would be 2002), sending out queries meant that the writer had to spend hours pouring over publishers’ guidelines that were often out-dated by the time they hit bookstore and library shelves. These guidelines directed the writer where to send a cover letter, writing sample and the all-important SASE (self-addressed stamped envelope). Hours were spent crafting submission packets, which then had to be carted to and from the post office. Submitting a poem or short story was a labor intensive and often costly undertaking that required the patience of Job, since it was not at all unusual to hear of response times upwards of eighteen months. Ah, the good old days.
I don’t think so. For, while today’s e-publishing marketplace does bring with it the peril of online piracy and the depressing demise of the brick-and-mortar bookstore, it also heralds a time of great opportunity for the writer. Online publishers’ guidelines make it a snap to find out where to submit that essay on the eating habits of iguanas or that short story about a talking baseball bat. The ability to contact potential publishers from any place with an Internet connection means far less time is spent going about the tedious task of formulating submissions packets, which frees up far more time for the writer to spend on developing her craft. E-submissions equal less paper waste, generally much shorter response times and a more egalitarian process, since the cost of postage is no longer a barrier driving writers of lesser economic means from the marketplace.
Since 2002 my work has appeared in print and online. There are advantages and disadvantages to both formats. While I’m convinced that there is still no perfect method for ensuring that a piece of work will ultimately reach the marketplace, I’m convinced that e-publishing has allowed many more writers to hone their craft and submit their work for consideration. Ultimately this means that far more writers are able to see their words in print. Which sounds to me like a pretty magical formula for success.
"What do you like best about e-publishing? What, if any, changes would you make to the e-publishing format?"
"What do you like best about e-publishing? What, if any, changes would you make to the e-publishing format?"
To Therese or find out more about her...click her name.
